In this new era of Marvel over-achievement, it really does feel like a lesser work.”īut a fun lesser work, as the A/V Club’s Ignatiy Vishnevetsky argues. Or the all-the-way-out-there, inventive deliriousness of Thor: Ragnarok. Or, for that matter, the scope and thematic muscle of Black Panther. That’s something that others noticed, too as Empire’s Dan Jolin puts it, “There’s no getting away from the fact that Ant-Man And The Wasp, as fun as it is, lacks the sheer, mind-blowing heft of Infinity War.
Marvel's 'Black Panther: Wakanda Forever': First Reactions From the World Premiere Almost by necessity, it takes the low road, but its underdog status is embraced, even exulted in.” EnoughĬalling the movie “probably the most amusing film the company has made since the Kevin Feige reign began a decade ago,” The Hollywood Reporter’s Todd McCarthy praises director Peyton Reed along with the movie’s cast and special effects, and writes, “By Marvel standards, the film is reductionist in every way, and what’s at stake couldn’t be further from what lies in the balance at the conclusion of the studio’s recent mega-blockbuster Avengers: Infinity War. But therein lies most of its modest charm. Can Marvel Studios make it a hat-trick? Reviews for next month’s Ant-Man and The Wasp have started to appear, and it’s good news for Paul Rudd’s diminutive super-hero: The second outing in his own mini-franchise is apparently better than the first, with critics praising the addition of Evangeline Lilly’s Wasp to proceedings, and the lightness of touch from director Peyton Reed.
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